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No lull this year as we move from Motown to Monterey

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Most years, there’s sort of a lull in the classic car world from the end of July and the conclusion of Detroit’s concour — the Concours d’Elegance of Motown… oops, make that of America — and the carpalooza week of shows and races and auctions in mid-August on California’s Monterey Peninsula.

But not this year, so strap on your helmet cause it could be a bumpy ride!

This year the action (not to mention the rumors and intrigue) continues non-stop, what with the controversy surrounding the sale of several dozen cars that have been in the possession of the Petersen Automotive Museum at Auction America’s new event August 1-3 at Burbank, and then the following weekend there’s the inaugural Barrett-Jackson auction (and isn’t there always something intriguing about Barrett-Jackson auctions?) in conjunction with the Hot August Nights celebration d’hot-rod in Reno-Tahoe.

Vehicle Profile: Chevrolet Camaro

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Chevrolet Camaro

Sometime during April of 1965, long before any official announcement was made by General Motors’ Chevrolet Division, reports had begun circulating that Chevrolet was preparing to build a vehicle code-named “Panther” in the newly identified Pony/Musclecar category. This mysterious new vehicle was intended to compete directly with the highly successful Ford Mustang. The Ford Mustang was introduced in late 1964, as a “new for” 1965 model, and received rave reviews and huge sales numbers. Not to be outdone . . . GM had an ace up their sleeve to face this Ford rival, head on.

Chevrolet sent the first of two telegrams to 200+ automotive journalists on June 21, 1966, announcing their plans for the “Panther”, using very mysterious language. The first telegram read something to the effect of: “Please save noon of June 28, 1966 for important S.E.P.A.W. meeting. Hope you can be on hand to help. Details will follow .” The telegram was signed by John L. Cutter, Chevrolet Public Relations and S.E.P.A.W. Secretary. On the following day, the same group of journalists received another telegram to the effect of: “Society for the Eradication of Panthers from the Automotive World will hold first and last meeting on June 28. The (insert city name here) chapter will meet at (insert hotel name here) joining in a national 14 city live telephone conference with Detroit based , Chevrolet General Manager, E. M. “Pete” Estes. Please R.S.V.P. by telephone, etc….”.  This second telegram was also signed by John L. Cutter. Both of the telegrams left many automotive journalists puzzled at the time because none of them had ever heard of S.E.P.A.W. before the two telegrams were sent.

By June 28th, the industry was buzzing with anticipation and excitement about this big, strange meeting. Chevrolet’s General Manager, Pete Estes, would have some fun with this secretive game and make the announcement himself. Now, back in 1966, they used quite a cutting edge means of reaching more people collectively, in the Automotive Journalism society, than ever before possible. Rather than forcing all the 200+ journalists to make a trip to Detroit, GM utilized a new technological advancement by the Bell Telephone Company called two-way conference calling. It was the first time in history that 14 cities were connected together in real time for a press conference via telephone.

After a brief speech about how well things were going for General Motors and how they intended to remain the number one automotive manufacturer in the USA, Mr. Estes then said “Oh yes! I almost forgot! The purpose of this meeting! . . . Gentlemen, as much as we appreciate the tremendous publicity given “Panther” we ask you to help scratch the cat once and forever. And as such, this will be both the FIRST and the LAST meeting of S.E.P.A.W.! Chevrolet has chosen a name which is lithe, graceful, and in keeping with our other car names beginning with the letter “C”, it suggests the comradeship of good friends, as a personal car should be to its owner! Above all, it is the name of our new car line to be introduced on September 29, 1966! To us, at GM, the name means just what we think the car will do . . . GO! ….and here it is!”

At that moment, five beautiful girls came onto the stage, each holding a letter, while Mr. Estes held the sixth letter. While a narrator described to the out-of-towners, that could not see what was going on, Mr. Estes placed each girl in order and then lined up with them for all to see the word CAMARO. There was excitement and amazement and yet many were still puzzled at what it meant and what exactly was a CAMARO? The Product Managers, who fielded the many questions after the announcement about this peculiar, yet immediately likable name, only said (as smug as possible), it is “a small, vicious animal that eats Mustangs”.

And so, later that year, on Sept. 12, 1966 in Detroit, MI, the new Camaro was unveiled to rave reviews and an eagerly awaiting public hungry for their own GM produced pony/musclecar. And, as stated at the mysterious meeting back in June, the cars were available at Chevrolet Dealerships across the country on or about Sept. 29,1966.

Alrighty then… now for some details about the First Generation (1967 to 1969) Camaro or F-Body (a platform also shared with the new Pontiac Firebird) which was a built on a front-engined, rear-wheel drive platform and only available as a 2-door coupe or convertible. A wide variety of engines were available, ranging from the 230-cid L6 to the ultra rare optioned ZL1 (only 69 were ever made and only for the 1969 year model), drag-race ready, aluminum block 427-cid, big-block V8, or COPO 9560 (Central Office Production Orders) package, which added over $4,000 to the sticker price, which was a lot of money back then. But oh, what fun it must have been to stuff your foot into that one. There were actually over a dozen (14) different engines available during the first three years of Camaro production and some were only available to a choice few specifically for racing purposes.

Some of the available options, such as the RS, was an appearance package that included hidden headlights, revised taillights, RS badging, and exterior rocker trim. The SS, which included a 350-cid V8 engine or the optional L35 and L78 396-cid big-block V8 was also available in SS package. The SS also featured non-functional air inlets on the hood, special striping and SS badging on the grille, front fenders, gas cap, and horn button.  It was even possible to order both the SS and RS packages together to make a Camaro RS/SS. In 1967, a Camaro RS/SS convertible with a 396-cid V8 engine, paced the Indianapolis 500.

The Z28 option code which was introduced in December 1966 for the 1967 model year was the brainchild of Vince Piggins. He conceived offering a virtually race-ready Camaro which could be offered for sale from any Chevrolet dealer. This option package was not mentioned in any sales literature, so it was unknown to most buyers and dealers for that matter. The Z28 option required power front disc brakes and a Muncie 4-speed manual transmission be installed on these models. It also featured a 302-cid small-block V8 engine, an aluminum intake manifold, and a 4-barrel, vacuum-secondary Holley carburetor. Only 602 Z28s were sold in 1967, along with approximately 100 Indianapolis 500 Pace Car Replicas. The origin of the Z28 nameplate came from the RPO (Regular Production Option) codes – RPO Z27 was for the Super Sport package, and RPO Z28, at the time, was the code for a Special Performance Package intended to compete in the Trans Am racing series of the day. Many Camaro’s are raced, and very successfully I might add, in various forms and venues all over the world to this day.

There have been five generations in the life of the Camaro, with a brief hiatus in production from 2003 to 2009, with the awesome, retro-looking fifth generation Camaro making it’s debut in 2010. During the First Generation production run from 1967 to 1969, a total of 699,538 Camaros were made. You know what that means . . . there is a good chance that your favorite model, options and color are still out there and available for purchase .

Oh, hey, did I ever answer the question of the meaning of the Camaro name? When pressed for an answer, over a year later (sometime in 1967), as to how he came up with the name Camaro (which actually means friend, pal or comrade) from a list of over 2,000 words of which to choose, Mr. Estes laughed and casually admitted, “I locked myself in a closet and came back out with Camaro”!

Vehicle Profile: The Scarab

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1958 Scarab

One of the most successful, purpose-built race cars in American history has to be the legendary, Reventlow Automobile’s Scarab.  Named America’s Finest Sports Car by the influential “Road and Track” magazine, this beautifully sculpted, aluminum bodied race car was born in the mind of an amazingly talented young man named Count Lawrence Graf von Haugwitz-Hardenberg-Reventlow (or Lance Reventlow, as he preferred to be known).

Born in 1936, he was the only child of Danish nobleman Count Kurt von Haugwitz-Hardenberg-Reventlow and American socialite Barbara Hutton. He was born at Winfield House in London, which was built by his mother and named for her grandfather Frank Winfield Woolworth who created immense wealth with his chain of stores by the name of F.W. Woolworth’s Five and Dime. His parents’ marriage was a tumultuous one, filled with his father’s emotional and physical abuse of both Lance and his mother, along with his mother’s growing alcohol and drug addiction.

Barbara Hutton, who had inherited the Woolworth department store fortune and was also the daughter of the extremely successful Franklin Laws Hutton of E.F. Hutton fame, was then one of the wealthiest women in the world. The marriage to the Count, Barbara Hutton’s second of seven, did not last and young Lance became the subject of a bitter custody battle. Left to be raised by nannies and boarding schools, Lance Reventlow was six years old when his mother married the world-famous actor, Cary Grant, who took the already troubled boy under his wing. Reventlow’s mother and Grant, unfortunately, divorced on July 11, 1945 and two days later the then nine-year-old was abducted by his biological father and taken to Canada but later returned. Grant remained close to Reventlow, who spent a great deal of time in the Los Angeles area. In fact, by the age of 30, Lance’s mother had been married and divorced a total of seven times.

Given his tumultuous upbringing and fortunate, young Lance had a love for all things mechanical and especially fast cars, racing and airplanes. On a trip to Europe in 1957, with his friend Bruce Kessler, they enjoyed touring all the race venues, renting race cars and even entering a few events. They visited all the top European race factories, including the very successful Cunningham Team’s Lister-Jaguar headquarters. Lance, then 21 years old, saw nothing they were doing in Europe, that couldn’t be done back home in the USA. So he decided to get back to California and start his own racing company. Upon his return home, he immediately set up his company, Reventlow Automobiles, in (Venice) North Hollywood, CA and told his chief mechanic and good friend, Warren Olson, to hire a Dream Team of the best designers and builders of the time to create the race car he had envisioned in his mind, specifically with the idea to beat the big boys from Europe at their own game.

His team, which included the likes of former Kurtis fabricators Dick Troutman and Tom Barnes and engine guru’s Jim Travers and Frank Coon, who would later form TRACO. Lance also called on the help of legendary racer and designer Ken Miles to design the chassis. The final piece of the puzzle was Chuck Daigh, who was hired as both a driver and drivetrain specialist. Lance had one big advantage over the European sourced competition . . . he could build a car specifically for American style stop and go racetracks, which were quite different than their much faster European counterparts.

With this in mind, he asked for a race car that was compact, lightweight and above all, able to put its power to the ground very well. Inspired by the Mercedes-Benz 300 SL, Ken Miles penned a design for a space-aged frame with enough room for Olson and his men to make their own mechanical design interpretations. The suspension was equally advanced with double wishbones at the front and DeDion axle at the rear. Making an American built race car meant he had to make a compromise and use drum brakes instead of the superior British disc brake systems. The only inconsistency, or non-American component, was the Morris sourced rack-and-pinion steering gear.

The very American Corvette V8 formed the basis for the Scarab’s powerplant. Although by the time Travers and Coon were done with the engine, it was a very different beast altogether. The first order of business was to increase displacement from the original 4.6L (283 c.i.) to 5.5L (339 c.i.) by boring and stroking the little V8. The enlarged displacement engine was even equipped with the advanced-design Hilborn FI unit and the intake manifold sported eight very stylish intake trumpets splayed at all different angles. With all these modifications in place, the V8 was good for anywhere between 360 and 385 bhp, most of which was available from very low rpm’s. The engine was then mated to a Borg-Warner 4-speed gearbox, which had a lightweight aluminum casing. An amazingly curvaceous, aluminum body was styled by then 19-year old Art Center school student Chuck Pelly, which rounded off the sexy package. The completed machine weighed in at a very competitive 1,900 pounds.

The very first prototype, dubbed the MK1, rolled out of the garage early in 1958, incredibly, only a few short months after the team had been assembled and was named Scarab. The name, chosen by Lance himself, was in reference to the Scarab dung beetle of Egypt, which was considered sacred in ancient times. Although not immediately successful, by June of 1958 and for many years after, the Scarabs dominated the racing world and even beat the previously dominant European teams, here in the USA, at some of the most famous venues and exciting races of all time. Scarabs were successfully piloted over the following years by such greats as Carroll Shelby and Augie Pabst (When Lance exited the racing scene in 1962, he leased his facility to Mr. Shelby).

Tragedy surrounded Lance much of his young life and early in his career.  He had became close friends with fellow auto enthusiast and promising actor, James Dean. They even competed in club events all around California and on September 30, 1955 Lance was one of the last people to speak to Dean, when they met on their way to an auto race in Salinas CA. Dean was killed a few hours later in his racing Porsche 550 Spyder.

In 1964, Lance married ex-Mouseketeer, Cheryl Holdridge, who was introduced to him by close friend, singer Jimmy Boyd. The couple managed to remain out of the glare of publicity for several years and attempted to carry on a somewhat normal life. An avid Alpine skier, hiker, sailor and pilot, Lance and his wife,Cheryl, maintained a home in Aspen, CO. It was there, in 1972, while looking at an area to build a ski resort with real estate brokers and an inexperienced young pilot, Lance’s promising young life of only 36 years, would be cut short. According to the NTSB report, Lance was a passenger in a Cessna 206 and unknown to him (Lance was a fully rated instrument, multi engine, commercial pilot with thousands of hours under his belt) the Cessna’s pilot was an inexperienced 27-year-old student who flew into a blind canyon and stalled the aircraft while trying to turn it around. The small plane plunged to the ground, killing Lance Reventlow and all others aboard.

Stay tuned to see “Part 2”, the future of the awesome Scarab automobile…..

Vehicle Profile: The Scarab – Part 2

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Thanks to the efforts, admiration, fond memories and sheer determination of Mr. Richard Kitzmiller, president and founder of Kansas based Scarab Motorsports, LLC, (www.scarab-motorsports.com) the amazingly successful, Holy Grail of America Racing History and the original 1958 creation of young Lance Reventlow has been born again. He wanted to remain as close to the original design as possible (by making only a few safety and structural upgrades) in order to honor and maintain the integrity and historical significance of a true legend, which had been created by the vehicle’s designers some 50 years ago.

Mr. Kitzmiller, as Lance had done, assembled a group of rabid motorsports enthusiasts, engineers and designers. They collaborated to re-create, from the original specifications, a modernized continuation line of Scarab front engined race cars for your enjoyment on the street or track. He successfully revived, in true form, the very cars that dominated the racing world, tracks and teams of their hey-day.

Every aspect of the original masterpiece has been painstakingly re-created with only a few modernization updates. These minor updates (which are actually major when compared to the antiquated components used on the originals), are mainly for structural and safety reasons, as well as to utilize current technology. They are, however, difficult to detect from the original by the average admirer, but are easy to spot by a trained professional or a concours judge. These continuation Scarabs are built to exacting specifications and include a strong foundation consisting of a hand-built, tig-welded 4130 Chrom-Moly tube frame, Corvette C-6 uprights and hubs, fitted with custom upper and lower control arms, Wilwood 4-piston calipers and 12.19 inch brake discs front and rear, with a Winters Quick-Change rear differential (very similar to the original used, but much more serviceable) and independent rear suspension.

This re-creation of a legend, features a beautifully hand crafted, curvaceous body, in right or left hand drive configuration, using the most durable aircraft aluminum by skilled artisans of metallurgy in Poland and then shipped to the USA for assembly to the completed, rolling chassis. It also comes with a variety of options including leather interior, roll bar, tire upgrades, custom paint selections, and much more, up to and including a period correct Hilborn FI system. This allows you to personally design the updated Scarab most suited to your individual needs, with all the visual beauty of the original car.

The continuation SCV (Scarab Component Vehicle) from Scarab Motorsports, LLC, is offered as a rolling chassis that does not include an engine, transmission, drive shaft, exhaust system, or battery. The rolling chassis does include standard paint in a choice of two blues with traditional white scallop. Because there are many choices in the powertrain department for your Scarab, they leave that up to the individual to decide upon how they intend to use the vehicle. Many options to complete your personalized Scarab are offered by the company. By exotic car measures, the new Scarab is comparably affordable and considering the fine details, hand-craftsmanship and high-quality components included, you really get a lot for your money.

So, If you want to own a real piece of racing history for yourself, your family and your friends to enjoy and admire, or if you just want to regain your youth and enter the SVRA Racing circuit, there is no better time, nor more exciting vehicle, than the new Scarab.

A Picture Tells One Thousand Words

I don’t remember the first time I took a photograph of an automobile. I doubt that I ever pointed my Kodak Brownie Starflash at a car. I was taking pictures of people and places, not of the vehicles that carried those people to and from those places.

But that doesn’t mean I didn’t love those vehicles, and oh how I wanted to drive them. Some people consider their 21st birthday to be important. Not me. The important birthday was my 16th, because — at long last — I could get my driver’s license and drive legally, and on pavement.

Growing up in the country, I started driving when I was 14, though only on graveled rural roads. But with that little wallet-sized certificate from the state, I was free to drive anywhere, well, anywhere my parents would allow me to take the family car, a pale yellow, nine-passenger, 1960 Chevrolet station wagon.

Fortunately, my mobility soon was enhanced when my grandmother bought a new car and we got her ’57 Ford sedan. Now we had two cars and three drivers.

I loved that ’57 Ford. Sure, it was just a matronly, two-tone, four-door sedan with B pillars, but it had three on the tree and a V8 under the hood. Fortunately, mine was a “go Granny, go Granny, go, Granny go” type of grandmother.

My parents kept that Ford for only a year or so. Alas, first loves are so hard to lose, though my pain was eased quite a bit when my parents traded the old Ford for a brand new one. O.K., so it only was a Falcon — the Mustang had yet to gallop into production — but it was a Falcon that wore bright red paint and had a white canvas convertible top that I recall keeping up overhead only when it was raining or snowing.

Back then, those cars were merely family vehicles, even if a couple of them turned out to be a teenager’s dream machines. But today, each of them would be considered a classic in its own right.

Funny, I don’t have pictures of any of them. All I wanted to do back then was to drive them, to drive anything. Now, I’d love to touch and to be touched by them again. I can’t, of course. Most likely they rusted away many years ago.

But I can still see them in my mind’s eye, and now, with the launch of the ClassicCars.com and Hemmings.com photo galleries, we all can see cars like them, and cars much older and cars even a few decades newer than them, cars that we not only can see but cars that can touch us, that can transport us as we let them and our imaginations take us for a ride.

Is the hobby in jeopardy? By Larry Edsall

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Group identifies ‘immediate’ threats

Even as people are paying record prices at auction and in private sales of classic cars, and as classic car events on the Monterey Peninsula, along Woodward Avenue northwest of Detroit, and those staged elsewhere across the country, draw large numbers of spectators and participants alike, there are threats to the future of the collector car hobby.

“There is absolutely no doubt,” said McKeel Hagerty, chief executive of the Hagerty Insurance Agency and founder of the Historic Vehicle Association, newly established North American affiliate of FIVA, the Federation Internationale des Vehicules Anciens. Begun in 1966 to “keep yesterday’s vehicles on tomorrow’s roads,” FIVA includes 85 member associations in 62 countries.

Hagerty’s parents were insurance agents who started their own northern Michigan-based company to insure the preservation of classic wooden boats. When they discovered many of their clients also owned classic cars, they expanded the business and have become one of the world’s largest insurers of such vehicles.

Hagerty said he became more acutely aware of the jeopardy the hobby faces during the federal “cash for clunkers” program, which paid vehicle owners to get older, higher-polluting vehicles off the road. Through efforts within the car collector community, vehicles more than 25 years old were not affected.

“But it would have been easy for the cutoff to have been anything before 1980, or anything more than 50 years old,” Hagerty realized.

As Hagerty considered the impact that might have had on, say, 1957 Chevys or 1960s muscle cars, he knew it was time to “get started” protecting the hobby’s future, to organize a grassroots group that could function much like the AARP does in protecting the rights of aging American people.

Thus the Historic Vehicle Association and its affiliation with FIVA.

To start spreading the word, the HVA hosted a symposium during the Monterey classic car weekend with Hagerty as moderator of a panel that included Michael Kunz, director of the Mercedes-Benz Classic Center; Corky Coker, chief executive of Coker Tire, which produces new tires for old cars; and Wayne Carini, host of Discovery’s HD’s Chasing Classic Cars series.

The group identified four “immediate” threats to the collector car hobby:

  • Disappearing infrastructure – The skills needed for repairing, restoring and manufacturing parts for historic vehicles are disappearing as automotive technology forgets carburetors and features computerized controls;
  • Environmental regulations – According to Hagerty, there are 93 bills working their way through 26 state legislatures that deal with vehicle emissions. The concerns is that when it comes to their emissions, historic vehicles may become seen not as novelty but nuisance;
  • Alternative fuels – Federal law requires expansion of alternative fuels, which cannot be used to power older vehicles;
  • Aging demographic – According to Hagerty Insurance Agency data gathered from 400,000 clients, the average classic car owner is 55 years of age and only 25 percent of collector vehicle owners are younger than 46.

So far, much of the formal lobbying on behalf of the classic car hobby has been done by small car clubs or by SEMA, the Specialty Equipment Market Association, a trade organization of aftermarket and classic car parts manufacturers that was especially effective in protecting collectibles from “clunkers” crushing.

Hagerty wants the HVA to work with groups such as SEMA, thus bringing a grassroots scope of the new group, which starts out of with those 400,000 Hagerty insurance clients as members. Hagerty hopes to enroll classic car clubs and additional individual vehicle owners regardless of their vehicle insurance loyalties. His goal: A million members by 2015.

“Size helps when it comes to politics,” he knows.

Hagerty also knows that “studies” carry political weight. He said the HVA is working on political and practical initiatives including:

  • monitoring of regulatory developments,
  • collection of data to “establish fact-based positions on issues,”
  • an economic-impact study of the classic car hobby and its various facets,
  • development of a uniform system to identify and classify historic vehicles,
  • provision of support and resources for the various aspects of the “historic vehicle lifestyle,” including clubs, events, museums, business and educational institutions.

“This just has to be done,” Hagerty said, adding:

“There’s a Chinese proverb: Dig the well now before you’re thirsty.”

For more information, visit the www.historicvehicle.org website.

So, what classic cars caught your eye this summer? By Larry Edsall

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Simca Special Whew! Summer really flew by, didn’t it. For me, summer meant being in the Midwest and attending several car shows and auctions. Now that I’m back in Phoenix, I’m unpacking my pickup truck and filing photos and programs. But first, I want to share a few words about some of the favorite vehicles I saw this summer and which I’m presenting in chronological order (it was hard enough culling through hundreds of classic cars; please don’t ask me to rank order these which caught my eye, and my fancy):

The Simca Special, a low, wedge-bodied concept car (see photo) that Virgil Exner Jr. (son of Chrysler’s superstar design director of the 1950s, Virgil Exner Sr.) built as his senior thesis while a student at the University of Notre Dame. Ex Jr.’s car was among those offered for sale at the Dane Mecum’s 25th annual Original Spring auction at the Indianapolis State Fairgrounds.

A 1958 Edsel Pacer convertible, which I also saw at Indy. O.K., so maybe you need to have a last name that sounds like Edsel to love such a vehicle, but I liked this one so much that I use a photograph of its push-button gear selector as my “cover photo” on Facebook.

The 1927 Ford roadster hot rod that Bob Kuttner of Clinton Township, Michigan, showed at the Cars ‘R’ Stars show at the old Packard Proving Grounds north of Detroit.

At that same show, the highly customized 1964 Buick Riviera displayed by Ron Dotten of Madison Heights, Michigan. You might not think of the Riv as being a candidate for such a tweak, but Dotten’s is both elegant and exciting.

The 1936 Stout Scarab that Ronald Schreidy of Milwaukee brought to the Motor Muster at the Henry Ford Museum’s Greenfield Village. Stout was an engineer who had helped develop the Ford Tri-Motor airplane and applied aerodynamic technology to his automotive designs. The Scarab was sort of an aerodynamic minivan with a slick monocoque chassis providing room for flexible seating arrangements with tables for dining or game playing.

Though not nearly as old as many of the entries, the pale blue 1956 Mercury convertible owned by Harry Edwards of Aurora, Colorado, provided a wonderful bit of nostalgia as it was parked in front of the historic State Theatre in downtown Traverse City, Michigan, awaiting the start of The Great Race.

I was 12 years old when Buick introduced its 1959 model lineup and I remember strongly disliking its cars with what The Standard Catalog of American Cars calls described as having their “blade fins sweeping from the front of the body rearward.” I much r the cat’s eye styling of the ’59 Chevy (and still do). Nonetheless, at the Concours d’Elegance of America this summer, I really liked the ’59 Buick LeSabre station wagon displayed by Joseph Carfagna of Mendham, New Jersey.

At that same event, the Mitchell Collection from Montgomery, Texas, showed its 1929 Stutz Model M Coupe with amazing Lancefield bodywork. The car was stunning and gorgeous, and yet in 1997 it was among those participating in the Beijing-Paris rally.

Since the Concours d’Elegance of America is the Motor City’s own big show, it has a special place for red-blooded American racing cars and this year the group of drag racing specials included the Green Monster 5. Now owned by Jon Rowley of Amado, Arizona, that car was built in 1955 by Art and Walt Arfons and remains powered by a World War II-vintage Allison V12 aircraft engine.

Is it a car or a bike or, well, it’s both. Also at the Concours d’America, Dennis Carlson of Bloomfield Hills, Michigan, showed his 1899 Orient, a four-wheeler that could be pedaled or powered by its small engine.

Sikorski I was so impressed with the cars on display at Auctions America by RM’s Labor Day sale in Auburn, Indiana, that I bought one. But it wasn’t made of metal but of wood (see photo). It’s a very stylish wooden model by famed automotive artist Tony Sikorski, whose work usually starts at $1,500 and often runs much, much higher. But Sikorski told me he also wanted models on his table that families with children could afford, so he makes those, too, and prices them at $100 or less, sometimes much less, in his effort to introduce youngsters to all aspects of the classic car hobby.

I’m a sucker for Packards (I recently learned that my late father had owned two of them, one before and one after World War II), so it figures I fell hard for the 1952 Packard “Pacifica” concept car at the Auburn action.

I also loved the 1980 McLean SSR1 Speedster, which was built by Kerry McLean who wanted a roadster that would be fun but cheap to drive. His solution combined an aircraft-style fuselage and a 450-cc motorcycle engine. The result — a blast to drive while getting a reported 100 miles per gallon.

The vehicles were impressive but what I liked best about the Worldwide Auctioneers sale in Auburn, Indiana, was the venue, the old L29 Cord assembly building that now houses the National Auto & Truck Museum.

What car would I have wanted to drive out of that building? There were many great candidates, but I’d want the 1953 Woodill Wildfire Series II roadster, an early fiberglass sports car and competitor for the original Chevrolet Corvette and the Kaiser Darrin.

Tow Truck I can’t help it. I have this thing for vintage pickup trucks and loved the 1930 Ford Model A pickup tow truck (see photo) that Richard Sylvia of Smiths Creek, Michigan, displayed at the annual Old Car Festival at Greenfield Village.

Looking back at my photos, I also must include the bronze-orange hued 1930 LaSalle convertible coupe displayed by Robert Dowell of Chesterfield Township, Michigan.

I think I could have been very happy to drive away from Bob Lichty’s Classic Motorcar Auctions Grande Salon event at Canton, Ohio, in the black-and-blue 1938 Ford F-100 Model 81 quarter-ton pickup truck, though my buddy Jonathan Klinger from Hagerty Insurance and I kept saying how much fun it would be to have that big, old and barn-found 1951 Nash Ambassador Super sedan that didn’t sell for a high bid of $6,000.

The auction was held in conjunction with the annual Glenmoor Gathering of Significant Automobiles. I’m not sure how significant it might be, but the oh-so-tiny 1965 Peel Trident bubble car from the Lane Motor Museum in Nashville, Tennessee, might be fun to drive on a very cloudy and cool day.

There are few cars that might compete for attention with the famed 1935 Duesenberg Model SJ “Mormon Meteor” that Harry Yeaggy of Cincinnati brought to the show. One that caught my eye was the 1953 Packard Panther, a one-off created for Packard design director Edward Macauley. But my lust car at the Gathering was neither of them but the 1931 Alfa Romeo 6C 1750 Gran Sport Aprile Spider Corsa that got its Mario Revelli-designed bodywork in 1939 after the original Zagato coachwork was ruined in a crash. The gorgeous little roadster is owned by Corrado Lopresto of Milan, Italy.

My route from Michigan to Phoenix included Canton and then a visit to the Corvette Museum and Hall of Fame in Bowling Green, Ohio, where my favs were the 1968 Astro II and Astro-Vette concepts.

I also stopped at McPherson College in Kansas (the only school at which you can earn a four-year degree in classic car restoration) and at Carhenge in Nebraska, but will report to you on those stops at a later date.

For now, let’s get to the news:

Barrett-Jackson’s Vegas jackpot: $23 million

Barrett-Jackson’s fifth annual visit to Las Vegas produced a $23-million jackpot and set records for total sales and attendance. Particularly impressive as a 43-percent bump over last year at the event’s automobilia auction which accounted for $660,000 of the overall event total.

The top sale of the event was $330,000 for a 1967 Shelby GT500 SE Super Snake continuation fastback. A 1970 Plymouth Hemi Superbird brought $297,000, a 1967 Ford Mustang custom fastback when for $275,000 and a ’70 Mustang Boss 429 fastback brought $247,500.

Other top sales included $220,000 for a ’70 Shelby GT500 fastback, $155,000 for a 1956 Chevrolet 210 custom Foose roadster, $154,000 for a ’66 Shelby GT350 fastback, $148,500 for a ’67 Chevrolet Corvette custom convertible, $143,000 for a ’58 Vette custom cabrio and $130,900 for a ’59 Corvette convertible.

Barrett-Jackson also announced that it’s upcoming Scottsdale auction will include the 1955 Mercedes-Benz 300 SL owned by actor Clark Gable and one of 11 ’71 Plymouth Hemi ‘Cuda convertibles.

’33 Duesie dominates Dan Kruse event

The Dan Kruse Austin Hill Country Classic car auction, held for the first time in Austin, Texas, did $2.89 million in sales, but $1.65 million of that total came from the sale of one vehicle — the 1933 Duesenberg Model J “Queen of Diamonds” Franay Sports Berline Sedan formerly owned by the American socialite Countess Porceerei.

Among the other 150 vehicles, a 1968 Ford Shelby Mustang brought $156,600.

The move to Austin was a seeming success with the largest attendance in the event’s 38-year history.

Benz at Bonhams at Goodwood posts big numbers

The Bonhams auction at the Goodwood Revival in England produced $22.045-million in sales, led by $2.8 million paid for the “lost” 1928 Mercedes-Benz 26/120/180 S-type sports tourer that had been stored away in a garage for some six decades. At least six people were bidding on the Benz.

A 1929 Maserati Tipo 26M racer brought $2.72 million, a Lagonda V12 factory Le Mans racer from 1939 went for $1.9 million and a 1929 Alfa Romeo 1750 SS competition tourer brought $1.78 million.

Upcoming auction schedule

Next up on the auction schedule are:

Auctions America by RM, October 4-5 at Carlisle, Pennsylvania
Bonhams automotive preservation auction, October 8 at the Simeone museum in Philadelphia
RM at Hershey, Pennsylvania, October 11-12
The annual Branson Auction, October 12-13 in Missouri
The RM sale of the Charlie Thomas Collection, October 20 at the Gaylord Texan near Dallas.

It’s “Comedy and Cars” at the Petersen

John Lasseter, father of Pixar’s “Cars” movies and car-guy/comedian Adam Carolla will be feted October 4 at the “Comedy and Cars Gala” at the Petersen Automotive Museum in Los Angeles.

This event this year marks a new direction for the Petersen Automotive Museum Foundation’s fundraising. “In the past, we have honored automotive icons who have improved our lives through motorsports and industry innovation,” said museum board chairman Steve Young. “We felt it was time to recognize those who have used the gift of humor to promote the enjoyment of the automobile as a creative outlet, and the call to use it to explore the highways of America. ”

Lasseter, chief creative officer at Walt Disney, will receive the 2012 Automotive Visionary Award. Carolla will receive the 2012 Automotive Enthusiast Award.

For ticket information, visit www.petersen.org.

LeMay offers ‘Parental Daycare’ during concert

Speaking of car museums, LeMay — America’s Car Museum is doing something unusual October 9. Justin Bieber will be in concert across the street from the museum in Tacoma, Wash., so the LeMay is hosting a Parental Daycare” event from 5-10 p.m. for parents who want to drop off their children at the concert and then enjoy food and beverages and cars at the museum.

“Why should the kids have all the fun?” asked Scot Keller, chief marketing officer for the museum.

 

Vehicle Profile: 1955 Ford Thunderbird

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1955FordThunderbird

Henry Ford II’s answer to the successful launch of the Chevrolet Corvette in 1953, came in 1955 as the Ford Thunderbird (1st generation, 55 through 57 T-Bird). Backtrack a couple of short years…. after a visit to Europe in the early 50’s, Henry Ford II decided he wanted to build a 2-seater, convertible sportscar for the American public. He had also heard rumors, to the effect, that Chevrolet was working on a similar sporty concept vehicle made of a new lightweight material and so, he was further inspired to push his designers to come up with a competitive vehicle. He sought out and commissioned Vince Gardner, formerly a top designer with Cord Automobiles, to design a lightweight, 2-seat roadster for the Ford Motor Company. The result was a beautiful, yet European-looking vehicle named the Vega (also, ironically, a name used later on by Chevrolet for one of its models).

The Vega, completed in 1953, ended up a one-off, aluminum bodied, 2-seat sportscar with many styling characteristics borrowed from the Cord/Auburn automobiles including hide-away headlamps incorporated into the front fenders. Unfortunately, it proved to be much too costly to put into production and besides, Mr. Ford was looking for something more modern and American in the style department. So, back to the drawing board and a team of FoMoCo designers came up with the Thunderbird, so named, after a mythical “Bird of Prey”. Oh, and the Vega sat in the Ford Rotunda Exhibition Center for many years in Dearborn, MI, until it was eventually sold at the 2006 Barrett-Jackson Automobile Auction in Scottsdale, AZ for $385,000.

The excitingly new Ford Thunderbird was quickly pushed into production and by October 1954, they began to arrive in dealerships across the country, thus, the 1955 T-Bird was born. Although inspired by and built to compete directly with the Corvette, Ford maintained that it was more a personal luxury vehicle and not just a sportscar. This must have appealed to the public, as in 1955, Ford sold a whopping 16,155 units, against the Corvette’s 700 units for the same year. Complete with its non-functional, yet stylish, hood scoop and front fender vents and borrowing many other characteristics from its Ford siblings of the era; it really took off. One of the few changes for 1956 was the addition of an extended rear bumper area to accommodate a continental kit spare tire arrangement intended to improve trunk capacity. This, however, was dropped in 1957, as it created undesirable steering issues due to the added length and weight in the rear of the vehicle.

During the entire 50 year run of the fabulous T-Bird, 1955 to 2005 (with a brief hiatus from 1998-2001), over 4.4 million units were produced. In fact, one famous racing T-Bird, driven by Bill Elliott, still holds the fastest lap speed record of 212.809 mph in a 1987 NASCAR version of the vehicle, at the Talladega SuperSpeedway . . . A record that has yet to be broken to this day.

Vehicle Profile: Volkswagen Beetle

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1961 Volkswagen Type 1 Beetle

The Volkswagen “Type 1”, more affectionately (and certainly more descriptively), referred to as the “Beetle” or “Bug”, was first introduced to the American public in 1949. It was 1933 and the demand of Germany’s leader (yes, Der Furher, Hitler himself), that Germany build a state-sponsored “People’s Car” or Volkswagen. He put together his idea of what the vehicle should be capable of and how much it should cost, so the average German citizen could afford it. In fact, a “Stamp-Book” savings program called, “Five Marks a week you must save . . . if to drive your own car you crave”, which some 336,000 Europeans bought into. He wanted a vehicle that would easily carry two adults and three children at a speed of 100km/hr (approx. 62mph) and cost around 990 Reichsmark (roughly the price of a small motorcycle at the time). A tough task to achieve, many designers and manufacturers would try and fail.

Dr. Ferdinand Porsche was chosen (sometime in 1933 or 1934) as the Chief Engineer of the project and began working on the design immediately. He had in his mind the idea of a vehicle which he had been working on (for several years prior) in his own design studio. By 1938, a factory was set up near the new town of KdF-Stadt (the name was later changed to Wolfsburg), which was actually a purpose-built town, specifically for the workers and their families to live.

Prototypes of the vehicle surfaced as early as 1936 and were built at the time, in a plant in Stuttgart, Germany. Erwin Komenda, the former Chief Designer for Auto Union (now Audi), was in charge of the body design and actually used an innovative device, called a “Wind Tunnel”, to make the car aerodynamically efficient for optimum fuel economy. Unfortunately, by the time WWII started in 1939, they had only produced a handful of units, none of which were delivered to the Stamp-Book holders. Then, by orders of Hitler, all manufacturing was changed to military production to support the war efforts. However, a year earlier, they were able to present a completed “Cabriolet” to Hitler on April 20, 1938 (in celebration of his 49th birthday).

Several military versions of the distinctive round-shaped body, with the flat four-cylinder, air-cooled, rear-mounted engine and rear wheel drive were produced at the new factory in Stuttgart during the war. Just before the war ended, sometime in April of 1945, the U.S. Forces had captured the area of KdF-Stadt (renamed Wolfsburg shortly after the war) and its heavily bombed factories.

After the war, the U.S. handed it over to the British who were in control of the “occupation zone” were it was located. British Army Officer, Ivan Hirst, is considered almost solely responsible for the survival of the vehicle in the post-war era. He took one of the vehicles and painted it green (instead of the German military tan) and presented it to the British Army officials and suggested they use them for “light transport” vehicles. They were persuaded it was a good idea and placed an immediate “vital-order” for 20,000 units to be built. The first several hundred units, produced in the still severely damaged factory, went to the German Post Office and personnel of the occupying forces.

By 1955, they had produced the first million Volkswagen Beetles (Type 1’s). Quite a feat, all things considered.  Shortly after the war had ended, several automotive manufacturers from the U.S.A., Britain and France had been offered the company and its facilities, but all declined, with most stating that the little car would never sell or be popular in their markets and some even stated it was not only too ugly, but too noisy.

In fact, Henry Ford II said what they are trying to give us “is not worth a damn!”!  Major Hirst, who had fiercely protected the little car and its factory since the end of the war, would hand over control of its operation to Heinrich “Heinz” Nordhoff, a former senior manager at Opel Ag. He would run the company, keeping the “one-model” policy in effect, until shortly before his death in 1968 (there being only two successful diversions from that policy . . . the introduction in 1950 of the Type 2 van, camper and pickup models also known as the “Transporter and Microbus” and the 1955 introduction of the Karmann Ghia sportscar). In 1949, the company had been reformed as a trust and was controlled by the new West German government and the government of the State of Lower Saxony.

It wouldn’t be until August of 1967, that the Volkswagen parent company would refer to the Type 1 as a “Beetle” in their own marketing materials for the U.S.A. Worldwide production of the original air-cooled, Type 1 was over 21.5 million units making it the longest-running and most continually produced vehicle of the same design-style platform in history; eventually, surpassing the long-held record by the Ford Model T. The beloved little Beetle was sold in the U.S. through 1980 and was manufactured and sold in other areas of the world through July of 2003. The last air-cooled Beetle to be made was rolled out of the plant in Puebla, Mexico on July 30, 2003. The Beetle went through several minor transformations and upgrades, yet basically remained the same until the end of its run.

In an international poll, conducted in 1999, for the most influential car of the 20th Century, the Volkswagen Beetle came in fourth after the Ford Model T, The British “Mini” and the Citroen “DS”. The Beetle was and still is, famous today for many types of racing and even has special classes and races held in its honor. It is especially suited for the grueling Baja desert events due to its famous air-cooled reliability and great traction. The Beetle has attained “cult” status on a worldwide basis and continues to draw crowds everywhere it goes. Certainly the most famous and beloved of all Beetles is Walt Disney’s, little white “Herbie the Love Bug”, old #53 complete with racing stripes.

Vehicle Profile: Jaguar XK150

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1959 Jaguar XK150

The Jaguar XK150 sports car was an upgraded version of Jaguar’s infamous, post-war, XK120/140 models and a very desirable vehicle in the XK model bloodline. The beautifully sweeping, yet bulbous body lines were very appealing to the eye, but the hierarchy at Jaguar was not convinced that the car would be as vigorously accepted by the general public due to its more pudgy looks, as compared to the earlier XK120 and XK140 models . . . but it proved them wrong.

Today, it remains one of the most desirable, and I think beautiful, of all the early XK models. The Jaguar XK150 was introduced in 1957 and ran through the 1961 model year with various mechanical, evolutionary and technological upgrades over the 5 years of production, resulting in just fewer than 9,000 units (including some 888 units of the more powerful “S” models) being made. The Jaguar XK150 started out with only two models, the “FHC”, or Fixed-Head Coupe, and the “DHC” or Drop-Head Coupe (and all XK150’s were 2-door vehicles of course). As the Jaguar management felt the XK150 was going to be a success after its launch, they soon got to work adding a true “Roadster” to the lineup in 1958.

The Jaguar XK150 was actually the first production automobile in the world to come with four-wheel, “Dunlop” designed, disc brakes, which helped make it a great performer not only on the street, but also at the racetrack. The two-seater (the FHC and DHC models did have a very small jump-seat behind the front seats) sports cars were steel bodied on a boxed, sectioned steel frame and came with an aluminum hood (or bonnet). The Jaguar XK150 models were front-engine, rear-wheel drive vehicles with the standard engine being an in-line, six-cylinder, DOHC (double over-head camshafts) with 3.4L/210 c.i. displacement producing some 180 hp.  A “performance-tuned” or “S” engine option was made available, starting in 1958, boasting three, 51mm (2″) bore, “SU” brand HD8 model carburetors, pushing out 220 to 250hp.

In 1959, a larger displacement engine was also available on the “SE” (“Special Equipment”) and the now, most rare, XK150 “S” models, which displaced 3.8L/231 c.i. and could be tuned to produce at least 265hp. This latest version was capable of an impressive 0 to 60 mph time of just under 7 seconds (out of a straight six) and top speed of 135+ mph, while maintaining an 18 to 20 mpg fuel efficiency.

The new Jaguar XK150 came with a one piece, curved windshield glass, thinner doors, which made for a more spacious interior and a more comfy, leather-wrapped dashboard. The new, top-of-the-fender, front parking lamps had a small, red pilot light, which reminded the driver that the lights were on and steering was handled by a rack-n-pinion gear. The wheelbase of the Jaguar XK150 was 102 inches, overall width of 62.2 inches and overall length of 177 inches, while the car weighed in at around 3,000 pounds. Over its entire production run, the Jaguar XK150 was available in over a dozen different colors including my favorite . . . British Racing Green.