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Future classics: The Hagerty Hot List

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Photo courtesy Jaguar
Photo courtesy Jaguar

Editorā€™s note: Weā€™re taking a break from our usual ā€œFuture classicsā€ format to share the annual ā€œHagerty Hot List,ā€ the classic car insurerā€™s yearly list of new cars it thinks will become collectible within the next 25 years.

TRAVERSE CITY, Mich. ā€“ With so much attention focused on the record-breaking classic car sales and their rapidly increasing values, many enthusiasts often wonder which cars of today will be collectible down the road. Always keeping an eye on the market, the collector car experts at Hagerty release their annual list of vehicles that stand out as likely being collectibles within the next 25 years.

In order to be considered for the Hagerty Hot List, the vehicle must be produced within the 2014 model year with an MSRP of less than $100,000. Special consideration is given to newly launched versions not appearing on previous Hagerty Hot Lists.

ā€œMost new car news focuses on the latest interactive technology, alternative power sources, and the race to increased efficiency,ā€ said McKeel Hagerty, president and CEO of Hagerty. ā€œBut for a car to be collectible in the future, it has to be cool right off the assembly line. AĀ collectible car has to grab you and not let you go.ā€

The 2014 Hagerty Hot List (with base prices)

  1. Ā Jaguar F-Type R ($99,000) ā€“ The British marque makes a triumphant return to the sports car scene with the growling F-Type. Boasting a healthy V8 engine and rear drive platform, the F-Type will surely be a driving enthusiast choice soon enough.
  2. BMW M5 Sedan ($92,900) ā€“ A performance-oriented sedan with an old school manual transmission is quickly becoming an extinct species. While more drivers shun the thought of using three pedals, we applaud BMW for keeping this option alive in this segment.

    Photo courtesy Chevrolet
    Photo courtesy Chevrolet
  3. Chevrolet COPO Camaro ($90,000) ā€“ Chevrolet basically guarantees future collectability of the drag-strip ready COPO Camaro by limiting production to 69 units. It is only appropriate that the first production model will be sold at the upcoming Barrett-Jackson auction in Arizona.
  4. Maserati Ghibli S ($75,000) ā€“ The Ghibli returns for a third time, and this time as a four door. The twin turbochargers feeding the 410 horsepower 3.0 liter V6 ensures the Ghibli is more than just pretty curves.
  5. Alfa Romeo 4C ($54,000) ā€“ A budget-friendly Italian sports car might sound like an oxymoron, but the 4C is saying all the right words. With a carbon fiber tub leading to a curb weight of just more than 2,100 pounds, this sporty two-seater isnā€™t pulling any punches as it aims at the U.S. market.
  6. Chevrolet Corvette ($51,000) ā€“ The Corvette is the most popularly collected vehicle in the U.S. so GM had no choice but to make the new C7 great. It is a nice mix of Corvette heritage with real world performance figures and technology goodies. Dollar for dollar this is the best performance buy on the market.
  7. Nissan 370Z NISMO ($43,000) ā€“ The Nissan Z car has amassed a following and the 370Z NISMO is the latest and greatest in this lineage. With Japanese cars now representing a standalone class of collectables in a way that we have not seen in the past, 350 and 370Zs will not be ignored by collectors in years to come.
  8. Dodge Challenger Shaker ($36,995) ā€“ While the styling of the new Challenger has always harkened to the glory days of muscle cars, nothing says horsepower wars like a bulging hood scoop. Dodge went back to the roots and added the iconic shaker hood to atop of a healthy HEMI engine and R/T options package. We will take ours in Plum Crazy Pearl.
  9. Ā Jeep Wrangler Rubicon X ($35,095) ā€“ Vintage SUVā€™s are the fastest-growing segment and Jeep leads that pack. While more comfortable than its bare bones workhorse ancestor, the Rubicon X is highly capable for not a lot of money. Many of these now compete at events, which means they will one day command respect at vintage off-road demonstrations.
  10. Ford Fiesta ST ($21,400) ā€“ Following the enthusiasm surrounding the Focus ST, the little brother Fiesta ST has been pumping the same iron. Youthful buyers attracted to compact cars donā€™t always want to sacrifice performance. The Fiesta looks, sounds and acts the part of a modern day enthusiastā€™s car.

Editorā€™s note, part 2: So, do you agree with the Hagerty Hot List? Let us know what youā€™d add or subtract in the Share your thoughts! section below.

Cars auctioned for charities set Barrett-Jackson apart

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Photo courtesy Barrett-Jackson
Photo courtesy Barrett-Jackson

We tease that Barrett-Jacksonā€™s annual Scottsdale auction is the circus among classic car sales. There are vendors hawking all sorts of products that would seem to have nothing to do with classic cars. There are tire-squealing joyrides not in classic cars but in the newest of high-performance vehicles.

And while there may not be a big-cat animal trainer, this year there will be cowboys riding bucking bulls and, if you like your animals a little more contented, thereā€™s a merry-go-round ā€” oops, we mean a classic 1922 Spillman Engineering Corp 40 Menagerie Carousel ā€” that will go up for bidding.

Yes, itā€™s easy to tease about Barrett-Jackson being like Barnum & Bailey, but letā€™s get serious for a moment. Being the big show isnā€™t the only thing that sets Barrett-Jackson apart from the other classic car auctions.

Too often overlooked amid the big crowds, big celebrities, big sales and the TV showmanship is the money Barrett-Jackson raises for charities.

As Barrett-Jacksonā€™s 43rd annual Scottsdale auction begins, the company reports that it has generated more than $60 million for charitable causes.

Tonight at the auctionā€™s opening gala, two celebrities hope to boost that total. Actor Billy Baldwin will offer a 2015 Super Bowl package to benefit the Carol M. Baldwin Breast Cancer Research Fund and drag racing star Warren Johnson will sell his 1987 Oldsmobile Firenza pro stock race car to benefit the Darrell Gwynn Foundation.

Darrell Gwynnā€™s Foundation has become a favorite with Barrett-Jackson and its community of bidders. Gwynn was a drag racer who was severely injured in a crash. Since then, he has had to use a wheelchair and his charity raises money to provide high-tech, customized wheelchairs to children who need them. Such chairs can cost as much as $40,000 and the foundation donates as many as 50 of them each year.

And those are just for starters. For example, Friday eventing, rocker Gene Simmons will be on hand to sell a 1956 Ford F-100 pickup truck customized by Carroll Shelby to raise money for The Childrenā€™s Hospital Foundation of Saskatchewan Foundation.

During the week-long auction, vehicles including an airplane will be sold for the benefit of charities, including The Armed Forces Foundation.

“The team here at Barrett-Jackson gets a special lift out of the impact our auctions have on charities across the country and how we have been able to help so many causes from children to veterans to life-threatening conditions,ā€ Barrett-Jackson president Steve Davis said in a statement. ā€œIt makes each auction special.ā€

ā€œItā€™s one of the most fulfilling aspects of the word we do,ā€ said Craig Jackson, company CEO and chairman whose parents and the Barrett family staged their first classic car shows to benefit local charities. Those early Barrett and Jackson events were the Fiesta de los Autos Elegantes, annual classic car shows and parades held in the 1960s to raise money for Scottsdaleā€™s art center and to buy books for the community library.

Not only does Barrett-Jackson waive its usual commissions on charity cars, it is not unusual for bidders to spend well into six figures on a charity car, and then turn around and put it up for bidding again, just to generate even more money for a worthy cause.

Photo courtesy Bugatti
Photo courtesy Bugatti

And itā€™s not always a car that is the reward for the winning bid. For example, at the auction this year, Barrett-Jackson and Bugatti will accept bids to benefit Make-A-Wish Arizona. The winning bid doesnā€™t get a car, but two people will get the ultimate Bugatti test drive, flying to France, visiting the birthplace of Bugatti cars, seeing the factory where the Bugatti Vitesse is built and getting to drive a Vitesse at the Paul Ricard Grand Prix racing circuit at Le Castellet.

Previously, this Bugatti test drive experience in France has been available only to Bugatti owners.

 

50 years later, the band that won Le Mans is back together again

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Photos by Larry Edsall
Photos by Larry Edsall

Before taking his seat for the panel discussion, Bob Bondurant was posing for photos with the dark blue Shelby Daytona Coupe he and Dan Gurney drove to victory 50 years ago at Le Mans. Parked next to the blue coupe was the Ferrari GTO that finished second in that race.

At one point, Bondurant moved over to stand behind the bright red racer. He turned to his wife, Pat, and asked her to have someone take his picture.

Why, she wondered?

Because, he said with that characteristic twinkle in his eyes, this was the first time heā€™d ever been behind that Ferrari.

Bondurant and three of his Shelby American teammatesĀ  ā€” car designer Peter Brock, mechanic Jason Stucki and engine builder Jack Hoare ā€” were on hand Saturday at the Arizona Biltmore resort to talk about their remarkable achievement 50 years ago when they ended Ferrariā€™s long reign in the GT class in the round-the-clock race in France.

Though not present in the room, Gurney, who continues to recuperate after a motorcycle mishap, took part via a video presentation. Though in their late 70s and even into their 80s, these guys remain racers who really arenā€™t ready to slow down very much.

Fifty years ago, they were young men on a young racing team.

ā€œWe had no hindsight,ā€ Gurney said. ā€œWe were doing things that had never been done, and in a car that was an unproven concept. There was a lot of uncertainty, but we were a team of Americans all full of enthusiasm.ā€

Actually, Stucki was from Switzerland and Hoare was British, but they were key members of a small band ā€” four drivers, four mechanics, a car owner and a team manager ā€” that traveled to Europe and dared challenge mighty Ferrari, which had won the GT class at Le Mans all five years it had been contested.

In 1963, Shelby had taken his Ford-powered Cobra roadsters to Le Mans, where they wore makeshift hardtops, an unsuccessful attempt at enhancing the aerodynamics of a car created for tight, twisting roads. Indeed, the Cobras were faster than the Ferraris in the turns, but they could manage only 150 miles per hour on the long Mulsanne Straight, where the Ferraris were hitting 180.

Back home that same season, Shelbyā€™s Cobras won the national sports car racing championship. Afterward, his team encouraged him to mount an Indianapolis 500 effort for 1964.

But Shelby, who had been shunned during his own driving career by Enzo Ferrari, wanted to, was driven to beat Ferrari, so he offered up a corner of his team’s race stop where the first new coupe was built by Brock, a former General Motors designer, John Ohlsen, a mechanic from New Zealand, and Miles, other than Shelby and Brock the only native American on the team who was at all enthused about the project.

Most of the team thought the car with its chopped, Kamm-style tail, was ugly. Gurney said he doubted the car would be competitive, especially since it weighed 300 pounds more than the roadster.

But Gurney admitted he was wrong, very wrong.

The car made its first test run on February 1, 1964.

ā€œThe car was so fast we didnā€™t even finish the test,ā€ Brock shared. Instead, Miles called back to the shop and told Shelby to order new tires because the ones on the car didnā€™t have enough grip to deal with the speeds the car was achieving.

The team took the car to Daytona, where Dave MacDonald set a track record in qualifying (causing Shelby to dub the car the Daytona Coupe).

Next up was Sebring, where the car won its class, finished fourth overall and was four laps ahead of teamā€™s best Cobra roadster, accomplishments that convinced the Ford Motor Co. to underwrite a good share of the Shelby teamā€™s trip to Europe.

In Europe, Shelby American raced Cobra roadsters in hill climbs and other events while setting up shop in Ferrariā€™s hometown, where the coupe bodies for the Le Mans cars were built from aluminum panels hand-hammered over a tree stump and then welded together by a group of Italian teenagers.

As if beating Ferrariā€™s newest GTOs wasnā€™t enough, it looked very late in the race as if Bondurant and Gurney might finish first overall. But then a rock punctured the radiator for the oil cooler, forcing a long pit stop and forcing Stucki, Hoare and crew chief Phil Remington to fashion a bypass device so the car could get back on the track.

Ultimately, they finished fourth overall, but more importantly, first among all GT cars, and 13 miles ahead of that No. 24 Ferrari.

The Le Mans team reunion and panel presentation were part of 10th annual Childhelp Drive the Dream gala held at the start of classic car auction week in Arizona. Childhelp is celebrating its 55th anniversary. It was started by two young actresses ā€” Sara Oā€™Meara and Yvonne Fedderson ā€” who played the girlfriends of David and Ricky Nelson on the Ozzie and Harriet television series in the 1950s. On a good will tour to Japan, they saw the plight of orphans whose fathers had been American servicemen. They started raising money for orphanages, schools and hospitals, and later did the same thing in Vietnam. In 1966, Nancy Reagan, the wife of Californiaā€™s governor and the future First Lady of the United States, asked them to work with abused children in the U.S.Ā  and elsewhere.Ā 

Ā 

Eye candy: Automotive artifacts by Brenda Priddy

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poster sample 1

Turns out that famed automotive spy photographer Brenda Priddy also has an eye for shooting cars that arenā€™t wearing camouflage. A collection of more than 40 of her photographs of classic car badges, hood ornaments and mascots, junkyard photos, photos of cars in Cuba, and one of ā€œthe ghost cars of Death Valleyā€ will be on exhibition January 31-March 8 at the Chandler Center for the Arts in suburban Phoenix.

The secretive spy shooter even promises to emerge from her hiding places behind bushes and roadside billboards long enough to take part in the grand opening of ā€œAutomotive Artifacts: The Fine Art Photography of Brenda Priddyā€ for an open reception from 5:30-7:30 p.m. on opening night, January 31.

ā€œThese images recall a day long past when the automobile stood as an iconic figurehead in the American live,ā€ Priddy said of the photographs she selected for the exhibition.

That phrase also applies to the Cuban cars, which are 1950s American classics that have been kept on the roads of the island nation for so many years by their devoted owners.

The exhibition includes framed prints and prints on canvas in sizes to 20 x 30 inches. (Shown here are two posters she prepared for the exhibition.)

Gallery hours as 10 a.m. to 5 p.m. Monday through Fridays and noon to 5 p.m. on Saturdays.

poster sample 2

 

Arizona bids for title of best wintertime car show

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Photo by Larry Edsall
Photo by Larry Edsall

For many people, the annual classic car auction week in Arizona presents a wonderful opportunity (1) to escape way-too-cold weather and (2) to buy or sell classic cars. But for many more people, the auctions are simply one of the biggest and best classic and exotic car shows on the planet.

For example, where else can you see not one, not two, but nine Mercedes-Benz 300SLs, including five with gull-wing doors?

Where else can you see 39 Ferraris, including a 1951 212 Export Berlinetta and a 1952 212 Inter Coupe, as well as four 250 GTs, one of them a California Spider?

Or three Model J Duesenbergs?

Or cars with bodywork by not only by Touring, Franay, Zagato, Scaglietti, Vignale, Bertone, Ghia, Murphy, LeBaron, Brewster, Mulliner, Gangloff, Chapron, Figoni et Falachi, Scaglietti and all the Farinas ā€” Stablimenti, Pinin and Pininfarina ā€” but by the Rippon Brothers and the Ringbrothers?

Or cars formerly or currently owned by the likes of Nick Cage, Gregory Peck, Ray Milland, Roy Rogers, John Dodge (thatā€™s Dodge as in the car company), James Gandolfini, Winthrop Rockefeller, Richard Carpenter, Simon Cowell, Ā Matthew Fox, Rudolph Valentinoā€™s manager, Tom Hanks and Rita Wilson, Carroll Shelby or even Dr. Jonas Salk?

You also can see (or even buy) the Testarossa used in Michael Jacksonā€™s Bad Pepsi promo and the herringbone tweed jacket Steve McQueen wore in Bullitt.

There are a Bugatti that raced at Monaco in 1930, the Osca that won the Index of Performance at Sebring in 1960, one of Jim Hallā€™s 1966 Chaparral 1 racers, Shelbyā€™s race-winning 1963 King Cobra racer, Donna Mae Mimsā€™ pink H-Production national championship 1959 Austin-Healey Sprite, the ā€œlongtailā€ McLaren F1 GTR Global GT racer, a Sox & Martin A/FX Hemi ā€˜Cuda, the 1998 Ferrari F300 that Michael Schumacher and Eddie Irvine used for testing, and not only the Snake & Mongoose funny cars but the trucks that carried them to the drag strips.

And those numbers and those lists come only from perusing the thick, glossy, printed and heavy catalogs for the RM, Gooding & Co., Bonhams and Barrett-Jackson Salon Collection/Series 5000 portion of the Arizona auction week.

We have yet to click through Russo and Steeleā€™s 409-page online catalog or the ginormous printed catalog for the rest of Barrett-Jacksonā€™s 1400-car docket. And donā€™t forget that Mitch Silver will have an additional 350 or so vehicles out at Fort McDowell for your viewing (and even bidding) pleasure.

Photo courtesy Arizona concours
Photo courtesy Arizona concours

Nor do those numbers include the cars to be arrayed around the lawns at the Arizona Biltmore for the inaugural Arizona Concours dā€™Elegance that kicks off auction week on Sunday.

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Finally! ā€˜Realityā€™ TV promises to get real about classic cars as Corky hits the backroads

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corkyshow2

Like me, are you appalled, even downright angry about the way television portrays the classic car hobby?

Click on your big screen and start surfing the channels and before long what youā€™ll see is someone buying a classic car as cheaply as possible, hauling it back to their shop, slapping on some paint, doing minimal mechanical and interior work, and then flipping the thing with one goal in mind ā€” maximized profit.

Sure, everyone likes to make a profit when they sell something. But the classic car hobbyists I know are in this because they love the cars ā€” and the search for the cars ā€” and they love restoring and even maintaining them, getting them running again and looking great. For the most part, they sell them with a degree of reluctance, often only so they can begin the pursuit of their next project.

The find-fix-flip format we see on so many of the classic car ā€œrealityā€ television programs is the polar opposite of what I see when I look at the classic car hobby.Ā  I get more than irritated when I see such shows, and I rarely watch them for more than a few minutes.

But that will change very soon, because I plan to tune in for the debut of Backroad Gold, Corky Cokerā€™s new show.

From what Corky has shared with me, his show sounds like the classic car version of American Pickers, which is less about buying and selling than it is about educating us to Americaā€™s antiques and introducing us to the characters who have been caretakers to artifacts of our historic heritage.Ā 

Backroad Gold debuts February 5 ā€” and then runs for at least eight more episodes ā€” on the Travel channel. The program follows Coker and company as they search for cars, motorcycles, old gasoline pumps, road signs and such.

Why am I optimistic about Backroad Gold? Because of Corky, who is about as genuine a classic car hobbyist as youā€™re ever likely to find. Oh, sure, he’s also part of what I call the classic car industry, the auction houses, insurers, transportation providers and parts producers who supply the things that classic car hobbyists need and buy to pursue the hobby. In Corkyā€™s case, those things are Coker Tires, tires that offer the look of vintage rubber but that also provide the safety and engineering advances of modern tire technology.

But thatā€™s just Corkyā€™s day job. His passion is finding, restoring and driving old cars and motorcycles, and being an evangelist for the hobby.

When The Great Race, the annual cross-country rally for classic cars, appeared to be faltering, Corky bought it, pumped it up and put it back on solid footing. He resurrected the famed Honest Charley Speed Shop & Garage. He helped launch the Collectors Foundation that supports car restoration education in high schools and colleges.

ā€œI grew up in the back seat of a 1910 REO,ā€ he says of riding along with his mom and dad on the old Glidden Tours.

On the new television show, Corky hits the backroads in pursuit of more than just neglected classics. Corky is a car guy, but also a people person, and part of his mission is to introduce the world to what he calls the real Americans.

ā€œThe real people of America are on the backroads,ā€ he said, sharing just one example weā€™ll see on the show ā€” twin 78-year-old brothers who have protected a V12-powered 1934 Pierce-Arrow sedan in their dairy barn for more than 40 years.

As for the cars he finds and is able to buy, ā€œWeā€™re able to restore them and put them back into play,ā€ he said.

The ā€œweā€ he mentions includes Corky; his father, Harold; his daughter, Casey; her husband, Greg; and Hal, the ā€œhead wrenchā€ back in the shop.

Casey said that throughout her life, her dad has been ā€œbringing home all this weird crap.

ā€œI see labor and man hours and cost,ā€ she added. ā€œHe sees a jewel.ā€

Corkyā€™s personality isnā€™t the only thing that promises to separate his show from the others. For one thing, heā€™s playing with his own money, not with funding provided by a television production company. For another, instead of flipping the cars once theyā€™re restored, Corkyā€™s tendency, and perhaps his lament, is to keep them because parting with them would be painful.

As I said, this is a real car guy.

larry-sig

Rockinā€™ ā€˜nā€™ rollinā€™ at the Rockabilly Bash

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Photos by Larry Edsall
Photos by Larry Edsall

 

The 1963 Ford Thunderbird, white with a brilliant red and metal flaked roof, caught my eye. After all, how can you not like a Bullet ‘Bird?

And then I noticed the car parked next to it. It was a 1964 Ford Ranchero, and it was painted in the same colors. Actually, it looked like the paint may have come from the same cans.

The tag in the windshield said the owner of the Tbird was Shane Stratton. The paperwork in the Rancheroā€™s window said it was owned by Tyler Stratton.

Turns out that Shane and Tyler are father and 18-year-old son.

Shane said heā€™s been working on his Thunderbird for eight years, but he says he is only 60 percent of the way finished with its restoration and customization. Still to come: air suspension, the interior restoration, repainting of the fenders, hood, decklid and doors, and one more round of wet sanding and a final coat on that gorgeous top.

Tylerā€™s car is much closer to completion, basically awaiting a new grille and all sorts of rubber components.

The Strattonsā€™ cars were among some 500 parked recently just south of Phoenix at the Wild Horse Motorsports Park (formerly Firebird Raceway) for the third annual Rockabilly Bash.

The bash is sponsored by the 5 & Diner restaurant group. Two hundred cars showed up for the inaugural event. Last year there were 360. This year 500 were on display and organizers already are planning on a thousand for the first Saturday of 2015.

The showfield was full of hot rods, rat rods, American classics and even the occasional foreign car, all of them in various states of deterioration and restoration. But thatā€™s the beauty of the Rockabilly Bash ā€” well, that and the live music and the 1940s-style pin-up beauty queen competition.

The Bash isnā€™t for exotics or concours-quality cars. Instead, itā€™s a display of automotive artwork in progress, mechanical mayhem, and good olā€™ grassroots classic car fun. Itā€™s sort of a car-show version of run what you brung, with everything from cars that look as if they just rolled off a 1950s showroom to those that look like, well, like combinations of parts and panels you might not see anywhere else, or never expected to see in the first place.

Consider a 1946 Ford pickup truck with the nose from a 1951 Studebaker; a 1955 Ford Thunderbird with green, matte-finished paint and white steel wheels; or a 1934 Pontiac with its sedan top and hood painted gray over a yellow shoulder stripe and maroon lower body and fenders, all riding on green wheels.

Patina counts with this crowd, but so does everything from matte primer to expertly applied custom-colored metal-flake. And flames. And pinstriping.

Many of the cars and trucks appear to be the result more of someoneā€™s whimsy, far removed from some automakerā€™s design studio or assembly plant.

These cars are more than the sum of their parts. In simple terms, they are what they are, and we appreciate them ā€” and their owners ā€” for that very fact.

 

Arizona Concours dā€™Elegance starts auction week

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This 1937 Maserati 6CM grand prix race car is among the featured Maseratis at the Arizona Concours d'Elegance. (Photo: Michael Tobian)
This 1937 6CM grand prix racer is among the featured Maseratis at the concours. (Photo: Michael Tobian)

Arizonaā€™s famed Auction Week gets rolling this year in a brand new way, with a full-blown, high-end concours dā€™elegance on the lawns of the historic Arizona Biltmore Resort in Phoenix.

The inaugural Arizona Concours dā€™Elegance happens Sunday, January 12, to launch the collector-car madness that includes no fewer than six major auctions in the Scottsdale/Phoenix area. The Arizona Concours will display 77 exceptional cars ranging from vintage and full classic to sports and exotic on the winter grass at the Biltmore.

A special feature at the Arizona Concours is the weather. While much of the nation freezes, temperatures in Phoenix are expected to be in the upper 60s to low 70s.

A 1937 Lincoln is followed by a 1947 Cadillac at the Arizona Biltmore during recent 'dry run' site testing. (Photo: Michael Tobian )
A 1937 Lincoln and 1947 Cadillac during the recent site test. (Photo: Michael Tobian )

If you canā€™t make it to the concours, you can watch it live Sunday via a web cast on arizonaconcours.com starting at 11 a.m. (Mountain time). However, you will miss the balmy weather.

Modeled after such leading concours as those at Pebble Beach, Calif., and Amelia Island, Fla., the Arizona Concours is a showcase of fabulous automobiles in 20 classes that will be critiqued by some of the nationā€™s most-experienced concours judges. The respected John Carlson serves as chief judge.

The trophies were designed by Ed Mell, an acclaimed Arizona painter and sculptor, who, in keeping with the Frank Lloyd Wright-inspired Biltmore Resort, created them from a 1930s-vintage art deco toy car. A number of special trophies and awards also are planned.

Keith Martin, the publisher of Sports Car Market and American Car Collector magazines, will host the concours as emcee.

The 1937 Cord 812 that film star Tom Mix crashed fatally in 1940. (Photo: Bob White)
The Tom Mix Cord. (Photo: Bob White)

ā€œAuctions and concours go together because theyā€™re all about great cars,ā€ Martin said. ā€œAnywhere you go in the world, there tend to be great concours along with the very best auctions. It makes sense to have this concours here.ā€

The honored marques for the inaugural concours are Maserati, the Italian sports and racing brand that celebrates its 100th anniversary during 2014, and Packard, one of the most revered names in classic American luxury cars.

The Arizona Concours begins at 8:30 am Sunday, Ā with the awards ceremonies starting at 2 pm. The event is open to the public with tickets available at www.arizonaconcours.com or at the Biltmore on Sunday.Ā Proceeds benefit Make-A-Wish Arizona, the founding chapter of the national organization that grants wishes for children with life-threatening illnesses.

For more information about the inaugural event, see www.arizonaconcours.com.

Among the featured cars that will appear at the Arizona Concours are:

1907 Renault AI 35-45
This 1907 Renault AI 35-45 is one of five cars ordered from Renault of France by William K. Vanderbilt for himself and his friends. Renault had just won the 1906 French Grand Prix and Vanderbilt was so impressed that he ordered these slightly smaller versions of the winning car. Vanderbilt was an early supporter of automobile racing and the namesake of the Vanderbilt cup, the first international racing event in the United States.

1924 Hispano-Suiza H6
This unique Hispano-Suiza was originally built as a formal limousine, and then re-bodied in 1934 by Swiss coachbuilder Hermann Graber with this sporty LeBaron convertible design. Hispano-Suiza built some of the most elegant automobiles of the time, competing with Roll-Royce and other top luxury brands.

1937 Maserati 6CM
A grand prix race car, this is one of just 27 built by the Maserati factory for its “works” racing program to compete against the state-supported German teams that were dominating Grand Prix racing at the time. The 6CM was one of the most advanced racers of the era, and examples were used by private racing teams as well with much success.

1937 Cord 812Ā 
The Cord convertible owned and driven by silent-screen Western film star Tom Mix is the very car in which he crashed fatally Oct. 12, 1940, near Florence, Ariz. The Cord has been completely repaired and restored, and is festooned with flags, badges and other Western regalia as Mix had decorated the car when he owned it. This is a unique and important piece of early Hollywood and Arizona history.

1958 Lister-Jaguar
The factory team car driven by Walt Hansgen, shown in a period picture during the 1958 British Grand Prix at Silverstone. For 1957, Lister Cars of Cambridge, England, designed the car around a Jaguar D-type inline-six using an aerodynamic aluminum body. It was tested out at the time by racing journalist John Bolster, who performed a 0ā€“100 mph sprint in 11.2 seconds. Driver Archie Scott Brown won the 1957 British Empire Trophy in a Lister-Jaguar. The Lister-Jaguar was refined again for 1958, and was entered by the team in international competition with impressive results.

LeMay-America’s Car Museum celebrates VW

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The simplicity of the Volkswagen beetle, such as this 1968 sedan, has wide appeal. (Photo: Volkswagen)
The simplicity of the Volkswagen beetle, such as this 1968 sedan, has wide appeal. (Photo: Volkswagen)

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‘Vee Dub: Bohemian Beautiesā€ is the unlikely name for a new exhibit at LeMay-Americaā€™s Car Museum that focuses on the little car that could: the classic Volkswagen in all its glory.

Opening Saturday, Jan. 11 with a public unveiling at the Tacoma, Wash., museum, the show features examples from private collectors and the museumā€™s own collection of Ferdinand Porscheā€™s simple ā€œpeopleā€™s carā€ that took the world by storm.

Volkswagen of America, which is partnering with LeMay in producing the exhibit, has lent three rare and significant VWs:

KdF-WagenĀ ā€” Only a handful of KdF-Wagens were produced between 1941 and 1945 for use by the German army. The fully restored vehicle contains more than 95 percent of the original KdF parts.

Panel Delivery Type 2Ā ā€” The panel-delivery variation of the rear-engine sedan was ideal for loading and transporting cargo with its large double cargo doors and low floor. Today, it is an enduring collectorā€™s item.

Wedding Car BeetleĀ ā€” Volkswagen de Mexico built two of these wrought-iron-bodied beetles in recognition of the uniquely artistic effort by a private customizer in Mexico during the 1960s.

ā€œWe are excited to collaborate with Volkswagen to celebrate a car brand that has defined a culture of customization and entrepreneurship,ā€ said David Madeira, president and CEO of the museum.

The opening Saturday includes a movie marathon showing three The Love Bug films featuring Herbie, the sentient VW race car.

The Vee Dub show also has a social media element: tell your own unique Volkswagen stories under the hashtag #VWACM. The best stories will be on digital display at the exhibit.

For more information, see Vee Dub: Bohemian Beauties.

Silver shines in its niche in Copper State’s classic car auction marketplace

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Four Peaks frame Silver Auctions site in Arizona | Photo by Larry Edsall
Four Peaks frame Silver Auctions site in Arizona | Photo by Larry Edsall

Another in a series of previews of classic car auctions in January

Mitch Silver likes his niche in the classic car marketplace.

Photo by Larry Edsall
Photo by Larry Edsall

ā€œItā€™s great to see million-dollar cars, but Iā€™m not a participant there and most everybody I know isnā€™t either,ā€ said the college professor turned auctioneer (see photo) who founded his classic car sales company some 36 years ago.

ā€œI go [to the other auctions and] look at those cars, but then I come back where I can play,ā€ Silver added.

Where Silver and his customers play is with cars priced not at seven-figure elevations, or even rarely at six, but in the five-figure range. Last year at his 16th annual January auction in the Phoenix area, the average sale price at Silverā€™s event was right around $14,000.

ā€œI look at the sales that grab the headlines, but I donā€™t see myself ever collecting those cars, and thatā€™s the case for a lot of people,ā€ Silver said at the time. ā€œTheyā€™re fun to see and to talk about, but what Iā€™m looking for is to buy a 1950s convertible or muscle car.ā€

Silverā€™s annual January sale at the Fort McDowell resort and casino in Fountain Hills will offer 350 ā€” or a few more ā€” vehicles over two days of bidding. While some of the high-end auction houses tout vintage Ferraris, rare Duesenbergs and gull-wing Mercedes 300SLs, Silverā€™s headliners include:

  • a 1957 Mercury Turnpike Cruiser,
  • a 1960 Plymouth Fury convertible,
  • a 1963 Chevrolet Impala two-door hardtop,
  • a wonderfully preserved, ā€œrock stockā€ 1956 Chevrolet BelAir convertible,
  • a 1940 Mercury coupe,
  • ā€œa lot of nice trucks,ā€
  • ā€œearly Ford V8 convertibles.ā€

In other words, classics that are affordable, that fun to drive and to take to local car shows right now, and that could be candidates for restoration somewhere down the road.

Photos courtesy Silver Auctions

Silver always liked old cars and had bought and sold a few, including some he chased others down in barns and backyards. Then he saw an advertisement for a classic car auction in Seattle.

ā€œI went and it was the greatest thing Iā€™d ever seen,ā€ he said.

Silver went back to Spokane, staged his own auction, and then others and 10 years later he left Eastern Washington University and turned Silver Auctions into a full-time business.

But heā€™s never really left teaching behind. As each car crosses the block at his auction, he often shares the history of the marque, the model, or even the specific vehicle.

Where else, heā€™s said, can you sit down and have a classic car come past you every three minutes and have someone who knows about those cars tell you the vehiclesā€™s history and technical information?

ā€œItā€™s a very efficient way of shopping,ā€ he said, adding that all the while, ā€œyouā€™re learning.ā€

To make that shopping more efficient, Silver trimmed what used to be a four-day auction to two days.

ā€œWeā€™re running about the same number of cars,ā€ he said. ā€œWe just made longer days.ā€

This year, heā€™s also streamlining the opening hour of his sale, which is devoted to automobilia.

ā€œWe tried to pack a little too much into that hour in the past,ā€ he said of trying to push through as many as 120 items in an hour. ā€œWeā€™re backing that down to 60 to 70 items this year. We have a lot of pressed-tin toys, some real nice stuff, and all at no reserve.ā€

But Silver wonā€™t be the only one selling automobilia on the Fort McDowell property this month. The new Automobilia Scottsdale, a room full of vendors, will be set up in the resort ballroom not far from Silverā€™s auction tent.

ā€œI think that is outstanding,ā€ Silver said. ā€œIā€™ve very happy to have more activities there and new people coming. Iā€™ll be over there taking a look myself.ā€

Silver also said that heā€™s eager for those attending the new sale to discover ā€œthat Fort McDowell is close [to Scottsdale] and easy to get to.ā€

And, he might have added, a place to buy very reasonably priced classic cars.