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HomeCar CultureDifferent by Design: Station Wagon Taillights

Different by Design: Station Wagon Taillights

Wagon lenses not shared with their sedan and coupe brethren

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You may have caught this 1956 DeSoto Firedome station wagon as our Pick of the Day earlier this week. What was most interesting about this chariot was its taillights, which were completely different than those found on DeSoto coupes and sedans. Through the 1950-60s, it seems that there were many station wagons that featured unique taillights that were completely different in design from their less utilitarian brethren.

1958 Edsel

Of course, if you’re a child of the 1970-80s, you may think, “Well, Mom’s Country Squire most certainly had different taillights from the sedan!” and you would not be wrong. However, hundreds of thousands of station wagons were built during this time, while the 1950 to early-60s were a time when wagons were picking up steam in America’s consciousness, if not in sales. Try finding, say, a 1961 Mercury Comet taillight (like in our lead image) over one for a 1971 Buick Estate Wagon — one is a wild goose chase, while the other was more of a common sight.

1962 Pontiac Tempest

With the DeSoto’s inspiration, we have dug up images of station wagons with unique taillights. There’s a great chance that you may feel you’ve never seen them before, though it’s also possible that they were not memorable because, for a time, station wagons were not memorable.

1961 Buick. 1962’s was similar, as can be seen below.
1961 Mercury
1961 Oldsmobile. 1962’s was similar.
1961 Pontiac
1962 Buick
1962 Buick Special
1962 Chrysler. Compare to the 1962-63 Dodge 880 below.
1963 Dodge 880
1962 Pontiac
1963 Buick Special
1963 Mercury Comet
1964 Mercury
1964 Plymouth
1965 Mercury Comet
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Diego Rosenberg
Diego Rosenberg
Lead Writer Diego Rosenberg is a native of Wilmington, Delaware and Princeton, New Jersey, giving him plenty of exposure to the charms of Carlisle and Englishtown. Though his first love is Citroen, he fell for muscle cars after being seduced by 1950s finned flyers—in fact, he’s written two books on American muscle. But please don’t think there is a strong American bias because foreign weirdness is never far from his heart. With a penchant for underground music from the 1960-70s, Diego and his family reside in the Southwest.

13 COMMENTS

  1. It’s always good to revisit the days before the cookie cutter cars of the 80’s, 90’s, 00’s, 10’s, and 20’s.

  2. Oh, Diego, you just speared me in the heart. I was born in ’59, Dad was a lifetime hotrodder and GM employee (DelcoRemy plant in Anderson, IN). There was a time, say kindergarten through my military service, that I could correctly identify ANY car by it’s taillights (I’m not the only one, am I car peeps?). And I’m still good with vintage and classic stuff, and some modern cars, but not like then- when Dad or Grampa would try to trip me up with wagon lights. I saw many of the illustrations in this article as physical brochures, collected them as a kid, cut them out of magazines. I opened this to see taillights, instead you gutted me; I have tears because of the memories these pics stirred up. Dunno whether to curse you or thank you, but do keep up the good work.

  3. On that 1964 Plymouth Fury wagon you picture, its tail lights remind me of the 1963 Plymouth tail lights (not the wagon) .

  4. Thank you for your article on Station wagons, they are my favorite classic car design. Mostly because we had a few growing up and they don’t make them anymore, a true classic and Beaty.💕

  5. I USED TO OWN A 61 AMC AMBASSADOR WAGON. NOT YOUR TYPICAL RAMBLER. AMC 327 CID POWER WINDOWS FACTORY AIR AND THE COOLEST TAILIGHTS I EVER SAW ON A STATION WAGON.

  6. I can relate to un obtainable wagon taillights. I once had a 1965 Comet Villager wagon. It had one broken taillight lens. Tried diligently. None anywhere. I finally cut a corner out of a Mustang II taillight lens. With careful trimming, it fit quite well. Luckily the chrome bands running across the Comet lens were still intact. I glued them to the modified lens. As Clint Eastwood would say “Improvise, adapt!”

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